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Giacomo Puccini

Hi Giacomo Antonio Domenico Michele Secondo Maria Puccini (Disyembre 22, 1858Nobyembre 29, 1924) usa nga Italyano ngakompositor hin opera nga sinisiring nga usá han mga makarit nga mga kompositor hin opera han urhe nga ika-19 ngan syahan nga bahin han ika-20 nga siglo. Gintawag hiyá nga amo "an pinakaharangdon nga kompositor hin Italyano nga opera sunod kan Verdi".[1] An sayó nga bahin han mga buhat ni Puccini nahibase han minat-an nga urhe-nga-ika-19-nga gatostuig nga romantiko nga opera nga Italyano. Ha urhé, malinamposon niya nga naipadukwag an iya buhat han baga-hin-tuód nga estilo nga verismo, nga diin usá hiyá han mga nangunguna nga nagbandilyo.

An mga kilalado nga sinurat ni Puccini amo an La bohème (1896), Tosca (1900), Madama Butterfly (1904), ngan Turandot (1924), ngatanan hini upod han mga importante nga opera nga gintutukar nga mga standard.


Musika

Bisan kon hi Puccini kilalado tungod han iya mga opera, nagkomposo gihapon hiya hin mga piyesa para hin orkestra, sagrado nga musika, chamber nga musika, ngan mga kanta para han tingog ngan piano.

Mga Opera ni Puccini

Mga buhat ni Puccini ngan mga bersyon

  • Messa (tinatawag hin sayop nga Messa di Gloria, nga Misa, Lucca, 1880)
  • Preludio Sinfonico ha A major (Milan, 1882)
  • Capriccio Sinfonico (Milan, 1883)
  • Le Villi (1884-05-31 Teatro dal Verme, Milan)
  • Le Villi [rev] (1884-12-26 Teatro Regio, Turin)
  • Edgar (1889-04-21 Teatro alla Scala, Milan - 4 ka acta)
  • Edgar [rev ] (1891-09-05 Teatro del Giglio, Lucca - 4 ka acta)
  • Edgar [rev 2] (1892-02-28 Teatro Comunale, Ferrara - 3 ka acta)
  • Manon Lescaut (1893-02-01 Teatro Regio, Turin)
  • La bohème (1896-02-01 Teatro Regio, Turin)
  • Tosca (1900-01-14 Teatro Costanzi, Rome)
  • Madama Butterfly (1904-02-17 Teatro alla Scala, Milan)
  • Madama Butterfly [rev] (1904-05-28 Teatro Grande, Brescia)
  • Edgar [rev 3] (1905-07-08 Teatro Colón, Buenos Aires - 3 ka acta)
  • Madama Butterfly [rev 2] (1905-07-10 Covent Garden, London)
  • Madama Butterfly [rev 3] (1905-12-28 Opéra Comique, Paris)
  • La fanciulla del West (1910-12-10 Metropolitan Opera, New York)
  • La rondine (1917-03-27 Opéra, Monte Carlo)
  • Il trittico (1918-12-14 Metropolitan Opera, New York):
    • Il tabarro
    • Suor Angelica
    • Gianni Schicchi
  • Turandot (1926-04-25 Teatro alla Scala, Milan)

Mga reperensya

Pinanbasaran

  1. Ravenni & Girardi n.d., Introduction.

Mga pagkukuhaan

  • Ashbrook, William & Powers H. Puccini's Turandot: The End of the Great Tradition, Princeton Univ. Press, 1991.
  • Author unknown, Hampton's Magazine Vol. 26 No. 3, March 1911.
  • Author unknown, "The Stage," Munsey's Magazine Vol. 44 p. 6., 1911.
  • Author unknown, "New York Acclaims Puccini's New Opera," Theatre Magazine, Vol. 13 No. 119, January 1911.
  • Berger, William, Puccini Without Excuses: A Refreshing Reassessment of the World's Most Popular Composer, Random House Digital, 2005, ISBN 1-4000-7778-8.
  • Budden, Julian, Puccini: His Life and Works, Oxford University Press, 2002 ISBN 978-0-19-816468-5
  • Carner, Mosco, Puccini: A Critical Biography, Alfred Knopf, 1959.
  • Centro di Studi Giacomo Puccini, "Catedrale di S. Martino", Puccini.it, Retrieved 3 Nobyembre 2012.
  • Checchi, Eugenio, in Nuova Antologia, Francisco Protonotari. ed (in Italian), December 1897, pp. 470–481.
  • Dry, Wakeling Giacomo Puccini, London & New York: John Lane, 1905.
  • Eaton, W.P., "Where We Stand in Opera," American Magazine, Vol. 71 No. 5, March 1911.
  • Espinoza, Javier, "Revealed: the identity of Puccini's secret lover", The Guardian (London), 29 Septyembre 2007.
  • Fisher, Burton D., Puccini's IL TRITTICO, Miami: Opera Journeys Pub., 2003, ISBN 0-9771455-6-5.
  • Kendell, Colin (2012), The Complete Puccini: The Story of the World's Most Popular Operatic Composer, Stroud, Gloucestershire: Amberley Publishing, 2012. ISBN 9781445604459 ISBN 1-4456-0445-0
  • Keolker, James, "Last Acts, The Operas of Puccini and His Italian Contemporaries", 2001.
  • Gervasoni, Carlo, Nuova teoria di musica ricavata dall'odierna pratica (New theory of music distilled from modern-day practice) Milano: Blanchon, 1812.
  • Phillips-Matz, Mary Jane (2002). Puccini: A Biography. Boston: Northeastern University Press. ISBN 1-55553-530-5. https://archive.org/details/puccini00mary. 
  • Montgomery, Alan, Opera Coaching: Professional Techniques And Considerations, New York: Routledge Taylor and Francis Group, 2006, ISBN 9780415976015.
  • Mourby, Adriano, "Scandalissimo! Puccini's sex life exposed," The Independent, 6 Hulyo 2008.
  • Osborne, Charles, The Complete Operas of Puccini: A Critical Guide, De Capo Press, (1982).
  • Randall, Annie J. and David, Rosalind G., Puccini & the Girl, Chicago: University of Chicago Press ISDN 0226703894
  • Ravenni, Gabriella Biagi and Michele Girardi, Giacomo (Antonio Domenico Michele Secondo Maria) Puccini (ii) in Grove Music Online, accessed 9 Agosto 2012.
  • Siff, Ira, "Puccini: La Fanciulla del West," Opera News, Vol. 77 No. 1, July 2012.
  • Sadie, Stanley; Laura Williams Macy, The Grove Book of Operas.
  • Sadie, Stanley (ed.), The New Grove Dictionary of Music and Musicians, London: Macmillan/New York: Grove, 1980, ISBN 1-56159-174-2.
  • Smith, Peter Fox. A Passion for Opera. Trafalgar Square Books, 2004. ISBN 1-57076-280-5.
  • Streatfield, Richard Alexander, Masters of Italian music, C. Scribner's Sons, 1895.
  • Weaver, William, and Simonetta Puccini, eds. The Puccini Companion, W.W. Norton & Co., 1994 ISBN 0-393-029-30
  • Wilson, Alexandra, The Puccini Problem: Opera, Nationalism, and Modernity, Cambridge University Press (2007)

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