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Piesele disco sunt de regulă scrise în măsura de patru pătrimi, în interiorul căreia toți timpii sunt accentuați puternic. În vreme ce evoluția instrumentală este spectaculoasă și adeseori de virtuozitate (de altfel, există numeroase piese disco instrumentale), rolul vocii este unul secund, discursiv sau doar ritmic. Este frecvent întâlnită practica de a prelua piese din orice alt gen (sau chiar din repertoriul cult) și a le orchestra în stil disco.
Istoric
La finalul anilor șaptezeci, voga disco a dat naștere unui subgen muzical – filmul disco, ale cărui scenarii sunt pretexte pentru a prezenta imaginarul discotecii (jocuri de lumini multicolore, coregrafii impresionante) și muzica ei. Cea mai reprezentativă peliculă disco a fost Febra de sâmbătă seara (en. „Saturday Night Fever”, 1977), în regia lui John Badham.
Original disco a inceput ca fiind diferite parti din cantece R&B (Rhythm&Blues)
redate.
Brewster, Bill and Broughton, Frank (1999). Last Night a DJ Saved My Life: The History of the Disc Jockey. Headline Book Publishing Ltd. ISBN 978-0-7472-6230-5.
Echols, Alice (2010). Hot Stuff: Disco and the Remaking of American Culture. W. W. Norton and Company, Inc. ISBN 978-0-393-06675-3.
Gillian, Frank (May 2007). "Discophobia: Antigay Prejudice and the 1979 Backlash against Disco". Journal of the History of Sexuality, Volume 15, Number 2, pp. 276–306. Electronic ISSN1535-3605, print ISSN1043-4070.
Hanson, Kitty (1978) Disco Fever: The Beat, People, Places, Styles, Deejays, Groups. Signet Books. ISBN 978-0-451-08452-1.
Jones, Alan and Kantonen, Jussi (1999). Saturday Night Forever: The Story of Disco. Chicago, Illinois: A Cappella Books. ISBN 978-1-55652-411-0.
Lawrence, Tim (2004). Love Saves the Day: A History of American Dance Music Culture, 1970–1979. Duke University Press. ISBN 978-0-8223-3198-8.
^(2003) A history of rock music 1951–2000, ISBN 978-0-595-29565-4, p.152: "Funk music opened the doors to the disco subculture"
^(2003) Out of the Revolution, ISBN 978-0-7391-0547-4, p.398 :"
^(2000) Last Night a DJ Saved My Life, ISBN 978-0-8021-3688-6, p.127: "Its [disco] music grew as much out of the psychedelic experiments ... as from ... Philadelphia orchestrations"
^(2008) The Pirate's Dilemma: How Youth Culture is Reinventing Capitalism, ISBN 978-1-4165-3218-7, p.140: "Disco, which emerged from the psychedelic haze of flower power infused with R&B and social progress that was being cooked up at the Loft ..."
^Disco Double TakeArhivat în , la Wayback Machine. by The Village Voice: "And the scene's combination of overwhelming sound, trippy lighting, and hallucinogens was indebted to the late-60s psychedelic culture." Retrieved on 29 noiembrie 2008
^(2001) American Studies in a Moment of Danger, ISBN 978-0-8166-3948-9, p.145: "It has become general knowledge by now that the fusion of Latin rhythms, Anglo-Caribbean instrumentation, North American black "soul" vocals, and Euro-American melodies gave rise to the disco music"
^ ab(2003) The Drummer's Bible: How to Play Every Drum Style from Afro-Cuban to Zydeco, ISBN 978-1-884365-32-4, p.67: "Disco incorporates stylistic elements of Rock, Funk and the Motown sound while also drawing from Swing, Soca, Merengue and Afro-Cuban styles"
^ ab(2006) A Change is Gonna Come: Music, Race & the Soul of America, ISBN 978-0-472-03147-4, p.207: "A looser, explicitly polyrhythmic attack pushes the blues, gospel, and soul heritage into apparently endless cycle where there is no beginning or end, just an ever-present "now"."
