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| Genre | Radio drama |
|---|---|
| Running time | 12 minutes |
| Country of origin | United Kingdom |
| Home station | BBC Home Service (1950) BBC Light Programme (1951–1967) BBC Radio 4 (1967–present) |
| Created by | Godfrey Baseley |
| Produced by | Julie Beckett (2017–present) |
| Edited by | Jeremy Howe (2018–present)[1] |
| Recording studio | BBC Birmingham |
| Original release | 1 January 1951 |
| No. of episodes | 20,455 as of 21 Nov 2024[2] |
| Audio format | Stereophonic sound |
| Opening theme | Barwick Green |
| Website | Archers homepage |
| Podcast | [1] |
The Archers is a British radio soap opera currently broadcast on BBC Radio 4, the corporation's main spoken-word channel. Broadcast since 1951, it was famously billed as "an everyday story of country folk" and is now promoted as "a contemporary drama in a rural setting".[3][4] Having aired over 20,000 episodes,[5] it is the world's longest-running present-day drama by number of episodes.[6][7]
The first of five pilot episodes was aired on Whit Monday, 29 May 1950, on the BBC Midlands Home Service, and the first episode broadcast nationally went out on New Year's Day 1951. A significant show in British popular culture, and with over five million listeners, it is Radio 4's most listened-to non-news programme,[8][9][10] and with over one million listeners via the internet, the programme holds the record for BBC Radio online listening figures.[11] In February 2019, a panel of 46 broadcasting industry experts, of which 42 had a professional connection to the BBC, listed The Archers as the second-greatest radio programme of all time.[12] Partly established with the aim towards educating farmers following World War II, The Archers soon became a popular source of entertainment for the population at large, attracting nine million listeners by 1953.
The Archers is set in the fictional village of Ambridge in the fictional county of Borsetshire, in England. Borsetshire is situated between what are, in reality, the contiguous counties of Worcestershire and Warwickshire, south of Birmingham in The Midlands of England. Ambridge is possibly based on the village of Cutnall Green,[13] though various other villages claim to be the inspiration for Ambridge; The Bull, Ambridge's pub, is modelled on The Old Bull in Inkberrow,[14] whereas Hanbury's St Mary the Virgin is often used as a stand-in for Ambridge's parish church, St Stephen's.[15][16]
Other fictional villages include Penny Hassett, Loxley Barrett,[17] Darrington, Hollerton, Edgeley, Waterley Cross and Lakey Green. The county town of Borsetshire is Borchester, and the nearest big city is the cathedral city of Felpersham. Felpersham also has a university. Anywhere further from Ambridge may be referred to humorously with comments such as "that's on the other side of Felpersham!", but characters do occasionally venture further: several attended the Countryside Alliance march in London,[18] there have been references to the gay scene in Manchester's Canal Street. There have been scenes set in other places in the United Kingdom and abroad, with some characters residing overseas such as in South Africa and Hungary.
Ambridge still has a village shop and post office, originally thanks to the philanthropy of Jack Woolley (d. 2014). The business subsequently became a community shop managed by Susan and run by a team of volunteers. The Bull, the village's only pub, is perhaps the most recognisable structure in Ambridge while St. Stephen's Church, established in 1281, dates back to Norman times. The church has undergone many changes over the years, including a number of different vicars. The eight bells are rung by a group led by Neil Carter.
Unlike some soap operas, episodes of The Archers portray events taking place on the date of broadcast, allowing many topical subjects to be included. Real-life events which can be readily predicted are often written into the script, such as the annual Oxford Farming Conference[21] and the FIFA World Cup.[22] On some occasions, scenes recorded at these events are planned and edited into episodes shortly before transmission.
More challengingly for the production team, some significant but unforeseen events require scenes to be rewritten and rerecorded at short notice, such as the death of Princess Margaret (particularly poignant because she had appeared as herself on the programme),[23][24] the World Trade Center attacks,[25] and the 7 July 2005 London bombings.[26] The events and implications of the 2001 foot-and-mouth crisis required many "topical inserts"[27][28][29][30] and the rewriting of several storylines.[31]
In January 2012, Oliver Sterling, owner of Grange Farm, together with his tenant, Ed Grundy, elected to vaccinate the badgers on their farm in an attempt to prevent the spread of bovine tuberculosis. The plotline came within weeks of the government confirming a badger cull trial.[32]
It was announced on 29 March 2020 that the programme would include reference to the COVID-19 pandemic from 4 May onwards.[33]
The death of Queen Elizabeth II on 8 September 2022 was discussed by Lynda Snell and Lilian Bellamy as the first section of the episode broadcast on Sunday 11 September.[34]
The Archers actors are not held on retainers and usually work on episodes for a few days a month. By the nature of the storylines concentrating on particular groups of characters, in any one week out of a cast of about 60, the episodes include approximately 20–30 speaking-characters. Most of the cast do acting work on other projects and can disappear for long periods if they are working on commitments such as films or television series. Tamsin Greig plays Debbie Aldridge and has appeared on many television series such as Green Wing, Love Soup, Black Books and Episodes, so Debbie manages a farm in Hungary and her visits to Ambridge are infrequent. Felicity Jones played Emma Carter from the age of 15 but after a period of studying at Wadham College, Oxford, she gave up the role to move into television and cinema.[35]
Some of the actors, when not playing their characters, earn their money through different jobs altogether: Charlotte Connor, when not playing Susan Carter (credited as Charlotte Martin), works full-time as a senior research psychologist at the Birmingham and Solihull Mental Health Foundation; her office is a short walk from BBC Birmingham, and thus she is able to fit her work around recordings.[36] Graham Blockey, who played Robert Snell before his death in 2022, worked until 2017 as a full-time general practitioner in Surrey, commuting to and from BBC Birmingham at weekends and on his days off.[37] He kept his role secret from his patients, for fear of losing their respect, until his retirement from medicine in March 2017.[38] Other examples include Felicity Finch (Ruth Archer), who also works as a BBC journalist having travelled on a number of occasions to Afghanistan; and Ian Pepperell (Roy Tucker), before his death at the age of 53 on 22 December 2023, managed a pub in the New Forest.[39][40]
A five-episode pilot series started on Whit Monday, 29 May 1950, and continued throughout that week.[41] It was created by Godfrey Baseley and was broadcast to the English Midlands in the Regional Home Service, as 'a farming Dick Barton'. Recordings were sent to London, and the BBC decided to commission the series for a longer national run. In the five pilots the Archers owned Wimberton Farm, rather than Brookfield. Baseley subsequently edited The Archers for 22 years.
Since 1 January 1951, five 15-minute episodes (since 1998, six 12½-minute episodes) have been transmitted each week, at first on the BBC Light Programme[42] and subsequently on the BBC Home Service (and Radio 4 from 1 October 1967).[43] Early afternoon repeats of the previous evening's episode began on 14 December 1964. The original scriptwriters were Geoffrey Webb and Edward J. Mason, who were also working on the nightly thriller series about the special agent Dick Barton. The popularity of his adventures partly inspired The Archers, which eventually took over Barton's evening slot. At first, however, the national launch placed the serial at the "terrible"[44] time of 11.45 am, but it moved to Dick Barton's former slot of 6.45 pm from 2 April 1951. An omnibus edition of the week's episodes began on 5 January 1952.
Originally produced with collaborative input from the Ministry of Agriculture and Fisheries, The Archers was conceived as a means of disseminating information to farmers and smallholders to help increase productivity in the Postwar era of rationing and food shortages.[42]
The Archers originally centred on the lives of three farmers; Dan Archer, farming efficiently with little cash, Walter Gabriel, farming inefficiently with little cash, and George Fairbrother, a wealthy businessman farming at a loss for tax purposes (which one could do in those days).[45] The programme was hugely successful, winning the National Radio Awards' 'Most entertaining programme of the Year' award jointly with Take It from Here in 1954, and winning the award outright in 1955, in which year the audience was reported to have peaked at 20 million.[46]
In the late 1950s, despite the growth of television and radio's consequent decline, the programme was still claiming 11 million listeners and was also being transmitted in Canada, Australia, and New Zealand.[47] By the mid-1970s, however, the audience for the two daily broadcasts and the weekend omnibus combined was less than three million[48] and in 1976 the BBC Radio Four Review Board twice considered whether or not to axe the programme.[49] The serial's woes at this time were seen to mirror the poor standing of radio drama in general, described as "a failure to fully shake off the conventions of non-realism which had prevailed in the 1940s and 1950s."[50]
Programme chief Jock Gallagher, responsible for The Archers, described these as the serial's "dog days".[51] Sweeping editorial reforms followed, included the introduction of women writers (there had been none before 1975), two of whom, Helen Leadbeater and Margaret Phelan, were credited with giving the programme a new definitive style of writing and content, although some listeners complained about their radical feminism.[52]
In 1980 Julie Burchill commented that the women of Ambridge were no longer stuck with "the gallons of greengage jam old-guard male scriptwriters kept them occupied with for over twenty years"; but were 'into post-natal depression and alcoholism on the way to self-discovery'.[53] By the mid-1980s the Radio Four Review Board noted that scripts, directing and acting was "very good" and sometimes "better than ever".[54] In August 1985 The Listener said that the programme's revival was "sustained by some of the best acting, direction and writing on radio."[46]
Tony Shryane MBE was the programme's producer from 1 January 1951 to 19 January 1979. Vanessa Whitburn was the programme's editor from 1992 till 2013. Whitburn took service leave from March to July 2012, and John Yorke, a former executive producer of EastEnders, came in as acting editor.[55] Yorke's arrival prompted charges that the programme was importing the values of EastEnders to Borsetshire, with fans and commentators complaining that characters were behaving unrealistically simply to generate conflict.[56] This was denied by Yorke, who wrote that he agreed to take over "on one condition – that it stayed exactly as it was and that I didn't have to change anything."[57]
Whitburn was succeeded as editor by Sean O'Connor in September 2013.[58] In September 2016, Huw Kennair-Jones took over as editor though O'Connor continued to oversee the Helen and Rob storyline until its conclusion.[59] Kennair-Jones announced in October 2017 that he was to leave the BBC to work as commissioning editor for ITV.[60] The short tenure of two successive Archers editors led to concerns of a trend of radio drama editing being seen as "training ground" for higher-paid positions in TV.[61] Alison Hindell, the BBC's head of Audio Drama until October 2018, took over as acting editor before[62] and after[63] Kennair-Jones's time in charge. She effectively swapped roles with Jeremy Howe when she succeeded him as the BBC's commissioning editor for drama and fiction[63] and he started as editor of the Archers in late August 2018.[1][64]
Since 2007, The Archers has been available as a podcast.[65]
Since Easter Sunday 1998, there have been six episodes a week, from Sunday to Friday, broadcast at around 19:03 following the news summary. Episodes are repeated the following day at 14:02 except the Friday evening episode that repeats on Saturday at 14:45, (from 6th April 2024). The six episodes are re-run unabridged in the Sunday morning omnibus at 10:00. On Remembrance Sunday, the omnibus edition begins at the earlier time of 09:15.[66] In March 2024, the BBC announced scheduling changes that will see the Sunday omnibus begin one hour later, at 11.00. [67]
One of the most controversial Archers episodes was broadcast on 22 September 1955, coinciding with the launch of the UK's first commercial television station. Phil and Grace Archer had been married just a few months earlier, and their blossoming relationship was the talk of the nation. However, searching for a story which would demonstrate real tragedy among increasingly unconvincing episode cliff-hangers, Godfrey Baseley decided that Grace would have to die. The scripts for the week commencing 19 September 1955 were written, recorded, and broadcast on each day, with an "exercise in topicality" given as the explanation to the cast. On Thursday, listeners heard the sound effects of Grace trying to rescue Midnight, her horse, from a fire in the stable at Brookfield and the crash of a falling timber beam.[68]
Whether the timing of the episode was a deliberate attempt to overshadow the opening night of the BBC's first commercial rival has been debated ever since. It was certainly planned some months in advance, but it may well be that the actual date of the death was changed during the scriptwriting stage to coincide with the launch of Associated-Rediffusion.[69] Deliberate or not, the episode attracted widespread media attention, reported by newspapers around the world.
This controversy has been parodied twice: in "The Bowmans", an episode of the television comedy programme Hancock, and in the play The Killing of Sister George and its 1968 film adaptation. On the 50th anniversary of ITV's launch, Ysanne Churchman, who played Grace, sent them a congratulatory card signed "Grace Archer".
In 1996, William Smethurst recounted a conversation with Baseley in which he reveals his real motivation for killing off Grace Archer: Churchman had been encouraging the other actors to join a trade union.[70]
The actor Norman Painting played Phil Archer continuously from the first trial series in 1950 until his death on 29 October 2009. His last Archers performance was recorded just two days before his death, and was broadcast on 22 November.[71] He is cited in Guinness World Records as the longest-serving actor in a single soap opera.[71] Under the pseudonym "Bruno Milna", Painting also wrote around 1,200 complete episodes, which culminated in the 10,000th episode.
June Spencer, who celebrated her 100th birthday in 2019, played Peggy Archer (later Woolley) in the pilot episode and continued in the role until 2022.[72][73]
The Archers reached its 60th anniversary on 1 January 2011 and to mark this achievement, a special half-hour episode was broadcast on Sunday, 2 January, on BBC Radio 4 from 7pm. The episode had been advertised as containing events that would "shake Ambridge to the core".[74] This phrase even gave rise to the initialism #SATTC trending on the website Twitter during that weekend as listeners speculated about what might happen, and then reported their views as the story unfolded.
The main events in the episode were Helen Archer giving birth to her son Henry and Nigel Pargetter falling to his death from the roof of Lower Loxley Hall. This unlikely event provoked interest in the frequency and causes of death in the series. In fact, although the incidence of accidental death and suicide is seven times the national average, the overall mortality rate in Ambridge is almost exactly what would be expected.[75]
The demise of Nigel caused controversy among some listeners,[76][77] with a number of complaints variously expressing dismay at the death of a popular character, concerns over the manner of the dismissal of the actor, belief that the promise to "shake Ambridge to the core" had been over-hyped, criticism of the credibility of the script (for example, the duration of his plummeting cry caused calculation of the building's height at considerably more than had been imagined); also a perceived unwillingness of the editorial team to engage with these listener complaints.[citation needed]
Topical subjects have been added to the script, but this was not possible during the COVID-19 pandemic. Actors were initially recorded in their homes and included references to the pandemic from some of the characters sharing their private thoughts with the listener.[33][78] From 4 May 2020 to 14 August 2021, the broadcast was reduced to four episodes (Monday – Thursday). Sunday episodes resumed on 15 August 2021.
Due to the COVID-19 pandemic restrictions, weekly programming reduced to four episodes, omitting episodes on Sunday and Friday. The Sunday omnibus was correspondingly reduced in length. After continuing with pre-recorded episodes and repeating some classic episodes, new episodes started that had been recorded remotely, to a mixed reception.[79] On 15 August 2021, the Sunday evening episode resumed regular broadcast, as did the Friday evening episode on 3 June 2022.
The Archers has been broadcast in countries outside the UK, in particular in New Zealand from inception until September 1982, when Radio New Zealand decided not to continue purchasing episodes. Arrangements were made for a special episode without the usual closing cliffhanger.[80]
The programme has tackled many serious, contemporary social issues: rural drug addiction; rape, including rape in marriage; inter-racial relationships; direct action against genetically modified crops and badger culling; family break-ups; and civil partnerships, and a family being threatened by a gang of farm thieves. There has been criticism from conservative commentators, such as Peter Hitchens in 1999[81] that the series has become a vehicle for liberal and left-wing values and agendas, with characters behaving out of character to achieve those goals. However, one of the show's charms is to make much out of everyday, small concerns, such as the possible closure of the village shop, the loss and rediscovery of a pair of spectacles,[82] competitive marmalade-making, or nonsense such as a 'spile troshing' competition,[83] rather than the large-scale and improbable events that form the plots of many soap operas.[84][85] Godfrey Baseley was quoted in The Independent as objecting to the homosexuality in the programme, saying "It is disgusting ... It is distasteful because being gay is such a minority interest. Country folk don't do that kind of thing. They have sex the proper way."[86]
According to some of the actors, and confirmed in the writings of Godfrey Baseley, in its early days the show was used as a conduit for educational announcements from the Ministry of Agriculture, one actor reading an announcement almost verbatim to another. Direct involvement of the government ended in 1972.[87] The show has reacted within a day to agricultural emergencies such as outbreaks of foot and mouth disease which affect farmers nationwide when livestock movements are restricted.
Many famous people have made cameo appearances on the programme:
The theme tune of The Archers is called "Barwick Green" and is a maypole dance from the suite My Native Heath, written in 1924 by the Yorkshire composer Arthur Wood. The Sunday omnibus broadcast of The Archers starts with a more rustic, accordion-arranged rendition by The Yetties.[104][105] The theme for BBC Radio 4 Extra's The Archers spinoff, Ambridge Extra, is a version arranged by Bellowhead.[106]
A library music recording of Barwick Green was used for the pilot and during the early years of the national version, because a bid by Godfrey Baseley to have a special theme composed had been turned down on the grounds of cost, put at £250–£300.[107] However, once the serial had become undeniably established, a new recording of Barwick Green was authorised and performed by the BBC Midland Light Orchestra on 24 March 1954.[108] This mono recording was also accompanied by four movements entitled "A Village Suite", composed by Kenneth Pakeman to complement Barwick Green. Excerpts from these movements were then used for a time as bridging music between scenes. The 1954 recordings were never made available to the public and their use was restricted even inside the BBC, partly because of an agreement with the Musicians' Union.
In 1992, the theme was re-recorded in stereo, retaining the previous arrangements. The venue was Symphony Hall, Birmingham, the conductor Ron Goodwin, producer David Welsby and the sound mixer Norman McLeod. The slightly different sound mixing and more leisurely tempo reportedly led some listeners to consider the new version inferior, specifically that it lacked "brio", although the BBC publicised the fact that the orchestra contained some of the musicians who had played in the previous recording, including Harold Rich (piano) and Norman Parker (percussion). [citation needed]
Robert Robinson once compared the tune to "the genteel abandon of a lifelong teetotaller who has suddenly taken to drink". [citation needed] On April Fool's Day 2004 both The Independent and The Today Programme claimed that BBC executives had commissioned composer Brian Eno to record an electronic version of "Barwick Green" as a replacement for the current theme,[109][110] while comedian Billy Connolly included in his act the joke that the theme was so typically British that it should be the national anthem of the United Kingdom.[111]
In 2009, comedian Rainer Hersch conducted the Philharmonia Orchestra in a performance of the theme, live from the Royal Festival Hall to a listening BBC Radio 3 audience in an attempt to confuse them. He then went on to show how similar it is to "Montagues and Capulets" – "Dance of the Knights" – from Romeo and Juliet by Sergei Prokofiev, claiming that this was a result of Russian spies going through the BBC's rubbish bins looking for the scripts.[112]
At times, a cliffhanger involving the death of a major character or a disaster was marked by the traditional closing theme being replaced by the final dramatic section of Barwick Green involving trombones, cymbals and the closing bars of the signature tune – known as the "doom music" to some fan groups.[113] This tradition has been dropped more recently, with events such as the death of Nigel Pargetter being followed by the normal closing music despite the gravity of the incident. This has irritated some followers, who consider the jollity of the normal segment inappropriate in such circumstances.[114]
A brief extract from The Dream of Gerontius was played following the death of Phil Archer. When John Archer died no music was played.[citation needed]
There was a nod to The Archers in the opening ceremony of the Olympic Games in London on 27 July 2012, where the theme tune was played at the beginning of a segment celebrating British culture: the sound of a radio could be heard being tuned in as Barwick Green was played.[115]
| Actor | Character | Years active |
|---|---|---|
| Patricia Greene | Jill Archer | 1957–present |
| Carole Boyd | Fiona Watson | 1967–1969 |
| Lynda Snell | 1986–present | |
| Brian Hewlett | Neil Carter | 1973–present |
| Patricia Gallimore | Pat Archer | 1974–2019, 2021–present[116] |
| Charles Collingwood | Brian Aldridge | 1975–present |
| Trevor Harrison | Eddie Grundy | 1979–present |
| Heather Bell | Clarrie Grundy | 1979–1985, 2013–present[116] |
| Tim Bentinck | David Archer | 1982–present |
| Charlotte Martin | Susan Carter | 1982–present |
| Alison Dowling | Elizabeth Pargetter | 1984–present |
| Felicity Finch | Ruth Archer | 1987–present |
| Philip Molloy | Will Grundy | 1988–1990, 1992–present[116] |
| Susie Riddell | Kate Aldridge | 1990–1994 |
| Tracy Horrobin | 2011–2013, 2017–present[116] | |
| Souad Faress | Usha Franks | 1994–2018, 2021–present[116] |
| Buffy Davis | Jolene Archer | 1996–present |
| Michael Lumsden | Alistair Lloyd | 1998–present |
| Annabelle Dowler | Kirsty Miller | 1999–present |
| Louiza Patikas | Helen Archer | 2000–present |
| Richard Attlee | Kenton Archer | 2000–present |
| Barry Farrimond | Ed Grundy | 2000–present |
| Joanna Van Kampen | Fallon Rogers | 2000–present |
| Michael Cochrane | Oliver Sterling | 2000–present |
| Sunny Ormonde | Lilian Bellamy | 2001–present |
| Ryan Kelly | Jazzer McCreary | 2001–present |
| Hollie Chapman | Alice Carter | 2001–present |
| Andrew Wincott | Adam Macy | 2003–present |
| John Telfer | Rev Alan Franks | 2003–present |
| Stephen Kennedy | Ian Craig | 2003–present |
| John Rowe | Prof Jim Lloyd | 2007–present |
| Helen Longworth | Hannah Riley | 2008–2009, 2018–2020, 2022–present[116] |
| Emerald O'Hanrahan | Emma Grundy | 2010–present |
| James Cartwright | Harrison Burns | 2014–present |
| Daisy Badger | Pip Archer | 2014–present |
| Angus Imrie | Josh Archer | 2014–present |
| David Troughton | Tony Archer | 2014–present |
| Simon Williams | Justin Elliott | 2014–present |
| William Troughton | Tom Archer | 2014–present |
| Perdita Avery | Kate Madikane | 2014–present |
| Nick Barber | Rex Fairbrother | 2015–present [117] |
| Lucy Fleming | Miranda Elliott | 2016, 2017, 2024–present |
| Toby Laurence | Freddie Pargetter | 2016–present |
| Katie Redford | Lily Pargetter | 2017–present |
| Wilf Scolding | Christopher Carter | 2017–present |
| Mali Harries | Natasha Archer | 2018–present |
| Ben Norris | Ben Archer | 2018–present |
| Arthur Hughes | Ruairi Donovan | 2018–present |
| Paul Copley | Leonard Berry | 2019, 2021–present[116] |
| Molly Pipe | Mia Grundy | 2019, 2021–present[116] |
| Paul Venables | Jakob Hakansson | 2019–present |
| Tony Turner | Vince Casey | 2019–present |
| Jackie Lye | Joy Horville | 2019–present |
| Clare Perkins | Denise Metcalf | 2021–present |
| Lucy Speed | Stella Pryor | 2021–present |
| Madeleine Leslay | Chelsea Horrobin | 2021–present |
| Angus Stobie | George Grundy | 2022–present |
| Taylor Uttley | Brad Horrobin | 2022–present |
| Martin Barrass | Mick Fadmoor | 2022–present |
| Joshua Riley | Paul Mack | 2022–present |
| Bonnie Baddoo | Lottie Summers | 2022–present |
| Blayke Darby | Henry Archer | 2023–present |
| Yasmin Wilde | Azra Malik | 2023–present |
| Michael Bertenshaw | Robert Snell | 2024–present[118] |
| Richard Pepple | John Mack | 2024–present |
| Priyasasha Kumari | Zainab Malik | 2024–present |
| Krish Bassi | Khalil Malik | 2024–present |
| Actor | Character | Years active |
|---|---|---|
| Rosalind Adams | Clarrie Grundy | 1988–2012 |
| Eric Allan | Bert Fry | 1997–2020 |
| Joan Anstey | Dorothy Sinclair | 1961–1965 |
| Andonis James Anthony | Russ Jones | 2018–2022 |
| Gareth Armstrong | Mike Tucker | 1973 |
| Harry Booker | 1974–1983 | |
| Sean Myerson | 1996–2000 | |
| Bob Arnold | Tom Forrest | 1951–1997 |
| Pal Aron | Iftikar Shah | 2012–2013 |
| Scott Arthur | Rhys Williams | 2011–2013 |
| Jack Ashton | Harry Chilcott | 2023–2024 |
| Adam Astill | Miles Titchener | 2023 |
| Rachel Atkins | Vicky Tucker | 2009–2015 |
| Yves Aubert | Jean-Paul Aubert | 1988–1992, 1994, 1995, 1997, 1998, 2000–2002 |
| John Baddeley | Colin Drury | 1967, 1969, 1970, 1973–1977 |
| Noreen Baddiley | Mary Thomas | 1953–1956, 1958, 1960–1963, 1965, 1967 |
| Ronald Baddiley | George Lawson-Hope | 1951–1956 |
| Harvey Grenville | 1961–1966 | |
| Annette Badland | Hazel Woolley | 2014, 2015, 2021–2022 |
| Heather Barrett | Dorothy Adamson | 1975–1988 |
| Sam Barriscale | John Archer | 1987–1998 |
| Godfrey Baseley | Brigadier Winstanley | 1967–1971 |
| Patricia Bendall | Dawn Kingsley | 1961–1966 |
| Judy Bennett | Shula Hebden Lloyd | 1971–2022, 2023–2024 |
| Ballard Berkeley | Colonel Frederick Danby | 1980–1987 |
| Gwen Berryman | Doris Archer | 1951–1980 |
| Rhys Bevan | Toby Fairbrother | 2015–2023 |
| Sudha Bhuchar | Usha Gupta | 1991–1993 |
| Peter Biddle | Peter Stevens | 1968–1972 |
| Graham Blockey | Robert Snell | 1986–2022 |
| John Bott | Paddy Redmond | 1965–1967 |
| John Tregorran | 1981–1984 | |
| Leslie Bowmar | George Fairbrother | 1951–1958 |
| Margot Boyd | Marjorie Antrobus | 1984–2004 |
| Kellie Bright | Kate Madikane | 1995–2002, 2005–2007, 2009–2012 |
| Eleanor Bron | Carol Tregorran | 2014–2018 |
| Ian Brooker | Wayne Foley | 1999–2004, 2011, 2012 |
| Nigel Caliburn | Nigel Pargetter | 1987–1988 |
| Heather Canning | Anne Grenville | 1961–1965 |
| Valerie Woolley | 1972–1973 | |
| Nigel Carrington | Nigel Pargetter | 1988–1989 |
| Richard Carrington | Richard Adamson | 1973–1988 |
| Nigel Carrivick | David Archer | 1980–1981 |
| Jasper Carrott | Sykesy | 2023 |
| Anne Chatterley | Sally Stobeman | 1961–1962, 1965–1967 |
| Cian Cheesbrough | Josh Archer | 2010–2013 |
| Scott Cherry | Martin Lambert | 1984–1985 |
| Ysanne Churchman | Grace Archer | 1952–1955 |
| Mary Pound | 1971–1983 | |
| Dan Ciotkowski | Jamie Perks | 2010–2014 |
| Lorraine Coady | Hayley Tucker | 2006–2016 |
| Michael Collins | Mike Daly | 1954–1955 |
| Ken Pound | 1971–1973 | |
| Alaric Cotter | Simon Parker | 1976–1978 |
| Sara Coward | Caroline Sterling | 1979–2016 |
| Jan Cox | Hazel Woolley | 1983–1985 |
| Pamela Craig | Betty Tucker | 1974–2004 |
| Monte Crick | Dan Archer | 1960–1969 |
| Anne Cullen | Carol Tregorran | 1954–1984 |
| Jennifer Daley | Amy Franks | 2012, 2013, 2021, 2022 |
| Mary Dalley | Pru Forrest | 1956–1979, 1982 |
| Carol Lynn Davies | Jennifer Archer | 1962–1963 |
| Joy Davies | Helen Fairbrother | 1952–1959, 1974 |
| Lucy Davis | Hayley Tucker | 1995–2004 |
| Richard Derrington | Mark Hebden | 1980–1994 |
| Alan Devereux | Sid Perks | 1963–2009 |
| John Dexter | Geoff Bryden | 1955–1956 |
| Hugh Dickson | Guy Pemberton | 1993–1996 |
| Tommy Duggan | Fred Barratt | 1960–1970 |
| Leslie Dunn | Paul Johnson | 1954–1977 |
| Kim Durham | Matt Crawford | 1997–2014, 2017 |
| Ryan Early | Lee Bryce | 2018–2023 |
| Michael Fenton Stevens | Paul Morgan | 2010, 2012–2013 |
| Marc Finn | Greg Turner | 1998–2004 |
| Jack Firth | Freddie Pargetter | 2010–2014 |
| Denis Folwell | Jack Archer | 1950–1971 |
| John Franklyn-Robbins | Bill Slater | 1951 |
| Dick Raymond | 1951 | |
| Mike Daly | 1952 | |
| Rebecca Fuller | Beth Casey | 2021–2022 |
| William Gaminara | Richard Locke | 1992–1998, 2015–2016 |
| Philip Garston-Jones | Jack Woolley | 1962–1979 |
| Tom Gibbons | Johnny Phillips | 2014–2021 |
| Joyce Gibbs | Christine Johnson | 1963–1967 |
| Heather Pritchard | 1999–2003, 2007–2008, 2010, 2013 | |
| Chris Gittins | Walter Gabriel | 1953–1988 |
| Jon Glover | Martyn Gibson | 2009–2014, 2018–2024 |
| Frances Graham | Helen Archer | 1987–1989, 1992 |
| Tom Graham | Tom Archer | 1997–2014 |
| James Grant | Andrew Sinclair | 1963–1967, 1973–1975 |
| Garard Green | Ken Pound | 1973–1977 |
| Tamsin Greig | Debbie Aldridge | 1991–2004, 2007–2013, 2015, 2016, 2018, 2020, 2023 |
| Monica Grey | Grace Fairbrother | 1951–1952 |
| Dan Hagley | Darrell Makepeace | 2012–2013 |
| Stephen Hancock | Laurence Lovell | 1996–2000 |
| Peter Harlowe | Roger Travers-Macy | 1991–1992, 1994 |
| Mollie Harris | Martha Woodford | 1970–1995 |
| Edgar Harrison | Dan Archer | 1969–1982 |
| George Hart | Jethro Larkin | 1967–1987 |
| Julia Hills | Annabelle Scrivener | 2007–2014, 2018 |
| Andy Hockley | Philip Moss | 2017–2021 |
| Jack Holloway | Tony Stobeman | 1957, 1962, 1965 |
| Ralph Bellamy | 1964–1977, 1979 | |
| Freda Hooper | Jennifer Archer | 1959 |
| Courtney Hope | Mrs Turvey | 1954–1958, 1960–1974 |
| Will Howard | Dan Hebden Lloyd | 2013–2016, 2018, 2022 |
| Kay Hudson | Mabel Larkin | 1957–1973 |
| Roger Hume | John Tregorran | 1979–1981 |
| Bert Fry | 1988–1996 | |
| Jasmine Hyde | Leonie Snell | 2009, 2011–2015, 2017, 2020 |
| Ronny Jhutti | Adil Shah | 2022–2024 |
| Ann Johnson | Valerie Trentham | 1952–1953, 1955–1956, 1964 |
| Alex Jones | Clive Horrobin | 1991, 1993, 1997, 2003, 2004, 2011, 2024 |
| Basil Jones | John Tregorran | 1953–1965, 1976–1977 |
| Carolyn Jones | Ursula Titchener | 2014–2017 |
| Felicity Jones | Emma Grundy | 2000–2009 |
| Haydn Jones | Joe Grundy | 1977–1984 |
| Edward Kelsey | Joe Grundy | 1985–2019 |
| Bryan Kendrick | Nigel Burton | 1961–1966, 1968 |
| Ann Kindred | Sally Johnson | 1954 |
| Sheila Trevelyan | 1958 | |
| Will Kings | Ben White | 1953–1955 |
| Graeme Kirk | Kenton Archer | 1988–1993, 1997–1998 |
| Simon Lack | John Tregorran | 1975–1976 |
| Margaret Lane | Lilian Archer | 1959 |
| Rosemary Leach | Ellen Rogers | 1994, 1996, 1998 |
| Jenny Lee | Valerie Woolley | 1966–1968 |
| Caroline Lennon | Siobhan Donovan | 1999–2003, 2007, 2014, 2016, 2020 |
| Moir Leslie | Sophie Barlowe | 1985–1987 |
| Janet Fisher | 1996–2003 | |
| Geoffrey Lewis | David Cavendish | 1955–1956 |
| Geoff Bryden | 1958, 1961–1965 | |
| Stanley Cooper | 1972–1973 | |
| Robert Lister | Lewis Carmichael | 2000, 2001, 2004, 2008, 2010–2013 |
| Harry Littlewood | Ronnie Beddoes | 1966–1970 |
| Crawford Logan | Matthew Thorogood | 1986–1990 |
| Connie M'Gadzah | Lucas Madikane | 2001, 2002, 2017 |
| Rina Mahoney | Jess Myers | 2013–2016, 2023 |
| Valborg Maitland | Jennifer Archer | 1960–1962 |
| Pamela Mant | Christine Archer | 1950–1953 |
| Julia Mark | Nora McAuley | 1966–1977 |
| Elizabeth Marlowe | Lilian Bellamy | 1961–1977, 1979–1982, 1989–1991 |
| Nan Marriott-Watson | Doris Archer | 1950 |
| Jeremy Mason | Roger Travers-Macy | 1965–1972 |
| Jamila Massey | Satya Khanna | 1996, 1998, 1999, 2003–2005, 2008 |
| Mogali Masuku | Noluthando Madikane | 2017–2018, 2023 |
| Fiona Mathieson | Clarrie Grundy | 1985–1987 |
| Robert Mawdesley | Walter Gabriel | 1950–1953 |
| Jack May | Nelson Gabriel | 1956, 1962, 1963, 1965, 1966, 1968, 1970–1972, 1975, 1977, 1979–1997 |
| Roger May | James Bellamy | 2009, 2011–2014, 2017 |
| Neil McCaul | Matthew Thorogood | 1986 |
| Michael McClain | Hugo Barnaby | 1968–1971, 1974 |
| Betty McDowall | Laura Archer | 1978–1985 |
| Duncan McIntyre | Angus McLaren | 1964–1965, 1969–1971, 1973 |
| Malcolm McKee | Graham Ryder | 1997–1998, 2000, 2003, 2008, 2009, 2014, 2023 |
| Tim Meats | Robin Stokes | 1991–1995 |
| Frank Middlemass | Dan Archer | 1982–1986 |
| Isobel Middleton | Anna Tregorran | 2016, 2018, 2023 |
| Terry Molloy | Mike Tucker | 1974–2015, 2021–2022 |
| Helen Monks | Pip Archer | 2005–2014 |
| Philip Morant | John Tregorran | 1965–1975 |
| Lucy Morris | Phoebe Aldridge | 2010–2022 |
| Hayward Morse | Lester Nicholson | 1968–1970 |
| Ted Moult | Bill Insley | 1983–1986 |
| Celia Nelson | Sharon Phillips | 1989–1994, 1997–1998, 2011–2012, 2014 |
| Hilary Newcombe | Polly Perks | 1964–1981 |
| Hedli Niklaus | Eva Coverdale | 1978–1981 |
| Kathy Perks | 1984–2015, 2022 | |
| Harry Oakes | Dan Archer | 1950–1960 |
| Jonathan Owen | Terry Barford | 1980–1984, 1989 |
| Philip Owen | Tony Archer | 1963–1967 |
| Norman Painting | Phil Archer | 1950–2009 |
| Judy Parfitt | Janet Tregorran | 1962–1963 |
| Leslie Parker | Clive Lawson-Hope | 1952–1954 |
| Bill Payne | Ned Larkin | 1956–1968 |
| Ian Pepperell | Roy Tucker | 1995–2023 |
| Arnold Peters | Len Thomas | 1953–1958, 1960–1967 |
| David Latimer | 1968–1973 | |
| Jack Woolley | 1980–2011 | |
| Anne-Marie Piazza | Annette Turner | 2009–2010 |
| Gareth Pierce | Gavin Moss | 2019–2021 |
| Angela Piper | Jennifer Aldridge | 1963–2022 |
| Sion Probert | Wayne Tucson | 2009–2010 |
| Arnold Ridley | Doughy Hood | 1956–1958, 1961–1970, 1973 |
| Graham Rigby | Zebedee Tring | 1961, 1962, 1964, 1966–1974 |
| Bert Gibbs | 1975–1977 | |
| Graham Roberts | George Barford | 1973–2004 |
| Eddie Robinson | Simon Cooper | 1951–1956 |
| Thelma Rogers | Elsie Catcher | 1953 |
| Peggy Archer | 1953–1962 | |
| Anneika Rose | Anisha Jayakoday | 2016–2018 |
| Alan Rothwell | Jimmy Grange | 1957–1960, 1963 |
| Will Sanderson-Thwaite | Christopher Carter | 2004–2014 |
| Lesley Saweard | Christine Barford | 1953–1962, 1968–2019 |
| Felix Scott | Charlie Thomas | 2014–2016 |
| Graham Seed | Nigel Pargetter | 1983–1986, 1992–2011 |
| Pauline Seville | Mrs Perkins | 1951–1959, 1963, 1965–1990 |
| Michael Shaw | Charles Grenville | 1959–1964 |
| Michael Shelford | Harry Mason | 2010–2012 |
| Norman Shelley | Colonel Frederick Danby | 1976–1980 |
| Amy Shindler | Brenda Tucker | 1999–2015 |
| Eri Shuka | Elona Makepeace | 2011–2013 |
| Alison Skilbeck | Polly Perks | 1981–1982 |
| Colin Skipp | Tony Archer | 1967–2013 |
| Ania Sowinski | Lexi Viktorova | 2017–2019 |
| June Spencer | Peggy Woolley | 1950–1953, 1962–2022 |
| Rita Flynn | 1951–1953, 1956–1958, 1961–1962 | |
| Leon Tanner | Jim Coverdale | 1979–1981, 1997 |
| Gerald Turner | Gregory Salt | 1964–1972 |
| David Vann | Dave Barry | 1982–1990 |
| Anne Louise Wakefield | Jackie Woodstock | 1980–1983 |
| Timothy Watson | Rob Titchener | 2013–2017, 2023 |
| Tracy Jane White | Lucy Perks | 1982–1992 |
| Peter Wilde | Reggie Trentham | 1952–1957 |
| Charles Williams | Haydn Evans | 1972–1979 |
| Esma Wilson | Joan Burton | 1962–1966, 1968 |
| Gwenda Wilson | Laura Archer | 1962–1977 |
| Mary Wimbush | Jane Maxwell | 1951 |
| Lady Isabel Lander | 1969–1970 | |
| Julia Pargetter | 1992–2005 | |
| Peter Wingfield | Simon Pemberton | 1995–1997 |
| George Woolley | Joby Woodford | 1969–1978 |
| Becky Wright | Nic Grundy | 2007–2018 |
| Nicola Wright | Rosemary Tarrant | 1986, 1989–1990, 2001 |
BBC Radio 4 Extra ran an occasional short supplement, Ambridge Extra, between 2011 and 2013, featuring characters away from the Ambridge environs. Series 1 and 2 had 26 episodes and series 3, 4 and 5 had 20. The reason offered for non-renewal was limited resources.[119]
Two organisations dedicated to the programme were established in the 1990s. Archers Addicts was the official body, run by members of the cast. The club had five thousand members[120] and an online shop where Archers memorabilia was sold under licence. It closed as a club on 31 December 2013 but still has a Facebook page and Twitter feed. Archers Anarchists was formed sometime later,[when?] objecting to the "castist" assumptions propagated by the BBC, and claiming that the characters are real.
The usenet newsgroup uk.media.radio.archers[121] (referred to as UMRA by its users, who call themselves umrats) has been running since 1995. Its users include experts on subjects covered by the programme, such as the many aspects of farming, the running of small businesses, bell ringing; lengthy discussions ensue – as well as light-hearted matters, and plot speculation. Various gatherings occur where umrats come together. The first was a series of about ten annual barbecues.[122] The first was attended by Carole Boyd (Lynda Snell). They have included participants from Europe and the Americas. It has nicknames for many of the main Archers characters,[123] such as S'aint for Shula. (There are nicknames for most of the regular characters.) Due perhaps to it being initially more accessible in academia, the discussions can be quite detailed, though UMRA considers itself to be a friendly and welcoming group, where in particular flamewars and the like are not welcome. Despite the general decline of usenet[124] with the advent of trendier media such as Facebook and Twitter, UMRA remains a very active newsgroup compared to many. Its one-time T-shirts[125] and mugs bore the legend (in yellow on "Barwick Green", of course) "An everyday story of internet folk."[126]
The Academic Archers, founded in 2016, is a community of fans who share an academic approach to the programme. It organises an annual conference at which papers are presented which draw on academic expertise along with enjoyment. Papers from these have been published as The Archers in Fact and Fiction: Academic Analyses of Life in Rural Borsetshire (2016, Peter Lang:ISBN 9781787071193), Custard, Culverts and Cake (2017, Emerald: ISBN 9781787432864 and Gender, Sex and Gossip: Women in The Archers (2019, Emerald: ISBN 9781787699489 ) The group aims to be "curious, generous and joyful".[127][128][129]
There are four weekly fan podcasts about The Archers: All About The Archers[130],DumTeeDum, The Cider Shed and Ambridge on the Couch.[131][132][133]
In 1994, the BBC World Service began broadcasting in Afghanistan Naway Kor, Naway Jwand ("New Home, New Life") an everyday story of country folk incorporating pieces of useful information. Although the useful information was more likely to concern unexploded land mines and opium addiction than the latest modern farming techniques, the inspiration and model of Naway Kor, Naway Jwand was The Archers, and the initial workshopping with Afghan writers included an Archers scriptwriter.[134] A 1997 study found that listeners to the soap opera were significantly less likely to be injured by a mine than non-listeners.[135]
In Rwanda, the BBC World Service's Rwanda-Rundi service has been broadcasting the Archers-inspired soap opera Urunana ("Hand in Hand") since 1999.[136][137]
The Archers was the model for the Russian radio soap opera Dom 7, Podyezd 4 ("House 7, Entrance 4"),[138] on which the former Prime Minister, Tony Blair, once made a cameo appearance.[139]
Tony Hancock starred in the Galton and Simpson spoof "The Bowmans" in an episode of BBC Television's Hancock's Half Hour.[140]
Ned Sherrin produced a short 1973 film called The Cobblers of Umbridge. The cast included Joan Sims, Lance Percival, Roy Kinnear, Derek Griffiths and John Fortune.[141]
John Finnemore's Souvenir Programme has parodied The Archers with its recurring "The Archers Accidentally" sketches;[142] the sketches claim to portray The Archers the way it sounds to people who only listen to the show inadvertently.
The radio series of Dead Ringers has frequently parodied characters from The Archers, including a special edition.
The subtitle was parodied by Bill Tidy in his long-running cartoon of The Cloggies, "an Everyday Saga in the Life of Clog Dancing Folk", which ran in the satirical magazine Private Eye, and later in The Listener.
In addition to books and audiobooks, purported maps of Ambridge and Borsetshire have been published.[143][144]
An episode of Arena, broadcast on BBC Four on 1 January 2007, focused on The Archers. It was narrated by Stephen Fry and included interviews with current actors and scriptwriters.[145]
{{cite web}}: CS1 maint: numeric names: authors list (link)
Even this presupposes that the BBC realized the impact that the 'death' would have — and all the evidence is that the BBC was totally taken by surprise.
'She was trying to get the actors to join a trade union,' he told the author of this book, in 1995, 'so I killed her off. Very few of the original actors were professionals. I'd taken them on because they were countrymen with natural country voices. But she was stirring them up and trying to get them to join the actors' union, and saying we should only employ union actors, which would have been fatal.'
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