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Writing in Cambridge University's Popular Music journal, Devon Powers and Tom Perchard describe Empire as "one of the UK's comparatively few broadsheet pop critics, and one of the most insightful."[6] Jennifer Skellington notes that Empire's reviewing style focuses as much upon the artists as their art, and reflects a trend towards "a less conservative approach to rock- and pop-related writing" in the quality press.[7] Educator Mary Hogarth praises Empire's "show, don't tell" approach to writing, her pacing, and her balance of description, perspective, and first-hand experience.[8]
References
^ ab"Kitty Empire". The Guardian. Archived from the original on 5 November 2020. Retrieved 6 November 2020.
^Rivers, Nicola (2017). "From Feminist Mothers to Feminist Monsters: Tensions Across the Waves". Postfeminism(s) and the Arrival of the Fourth Wave. Palgrave Macmillan. pp. 29–55. doi:10.1007/978-3-319-59812-3_3. ISBN 9783319598116.
^Empire, Kitty (14 September 2008). "Dull? Let me be the judge". The Guardian. Archived from the original on 28 November 2020. Retrieved 30 April 2020.