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Her role in Legs Diamond (1988) as "Alice" was removed during previews.[14]
She was featured in the musical revue Stardust, which was conceived and written by Albert Harris with costumes and sets designed by Erté. The musical ran at the Stamford Center for the Arts at the Palace Theater and the Kennedy Center in 1990 but did not open on Broadway as had been planned.[15][16]
She starred in the U.S, tour as Margaret Johnson in The Light in the Piazza, which began in San Francisco in August 2006.[17]
In 2010, she portrayed the role of Jacqueline in the Broadway revival of La Cage Aux Folles, which opened April 18, 2010. The show was a transfer from London's West End.[18]
She appeared in the Marsha Norman play Sarah and Abraham at the George Street Playhouse, New Brunswick, New Jersey in February 1992,[20] and Promises, Promises.
Andreas starred as Judy Garland in Heartbreaker: Two Months with Judy Garland, the stage premiere of John Meyer's 1983 book about his time with Garland, which ran at the Adirondack Theatre Festival in June 2013.[21]
She has performed her cabaret act in the Café Carlyle,[27] the Algonquin Hotel's Oak Room, Carnegie Hall in New York City, in the Catalina Grill in Los Angeles, and the Ballroom in New York City in 1989.[3]
She has appeared in concert in London, Paris, Rome and at The White House.
Andreas performed her new show "Bemused" at 54 Below in 2013. Stephen Holden, reviewing for The New York Times, wrote: "The days are long gone when she starred on Broadway in revivals of “My Fair Lady” and “Oklahoma!,” but her beauty and radiance remain undimmed. Her bright, shiny soprano, with its wheeling vibrato and metallic edge, conveys a high-strung emotionality that is sharpened by her acting skills."[28]
She gave a concert at the Kupferberg Center for the Arts at Queens College, New York City based on her recording Love is Good in February 2014.[29]
"Right Tune, Right Singer: Pure Alchemy" From: Stephen Holden, "Christine Andreas, Bemused: Live at 54 Below", The New York Times, January 29, 2013.[28]
"Christine Andreas is everything anyone who loves romantic pop music could want - simply sine qua non." From: Liz Smith, "The Oak Room At The Algonquin Hotel", New York Post, Spring, 1999.
"She finds a blend of lyricism and sweet sensuality that only the finest Broadway voices can conjure." From: Stephen Holden, "Christine Andreas, Oak Room at the Algonquin", The New York Times, March 14, 2000.
"A lyric soprano with a distinctive, gorgeous voice, Andreas illuminates the mood and meaning of each song through her considerable acting skills." From: Christine Dolan, "Treasure of Broadway shines in cabaret show", The Miami Herald, February 1, 2008.
"Andreas' performance made it clear that she has every reason to feel at home in any jazz club she chooses to grace with her mesmerizing musical presence." From: Don Heckman, "She's a Broadway baby at home with jazz: Christine Andreas transforms all types of songs in her West Coast nightclub debut", Los Angeles Times, May 29, 2004.
"Not all sopranos can summon the warmth and intimacy cabaret singing requires." From: Elysa Gardner, "The Carlyle Set", USA Today, undated.
"Christine Andreas has one of the four or five most compelling voices to be heard in the Broadway theater." From: Holden, Stephen, "Love is Good", The New York Times, undated.
"Many singers have lovely voices. Very few interpret lyrics the way they were meant to be sung. Christine Andreas does just that. As a lyricist, I can only applaud." From: Hal David, "Love is Good", undated.
Personal life
She is married to composer and musician Martin Silvestri.[34] Andreas has one son and Silvestri has one daughter.[35]
She was previously married to creative director Kevin Hunter.[3]
