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Algirdas Jonas "Algis" Budrys (January 9, 1931 – June 9, 2008) was a Lithuanian-American science fiction author, editor and critic. He was also known under the pen namesFrank Mason, Alger Rome in collaboration with Jerome Bixby, John A. Sentry, William Scarff and Paul Janvier. In the 1990s he was the publisher and editor of the science fiction magazine Tomorrow Speculative Fiction.
Incorporating his family's experience, Budrys's fiction depicts isolated and damaged people and themes of identity, survival and legacy. He taught himself English at the age of six by reading Robinson Crusoe. From Flash Gordon comic strips, Budrys read H. G. Wells's The Time Machine; Astounding Science Fiction caused him at the age of 11 to want to become a science fiction writer.[2] His first published science fiction story was "The High Purpose", which appeared in Astounding in 1952.
In 1952, Budrys worked as editor and manager for such science fiction publishers as Gnome Press and Galaxy Science Fiction. Some of Budrys's science fiction in the 1950s was published under the pen name "John A. Sentry", a reconfigured Anglification of his Lithuanian name. Among his other pseudonyms in the SF magazines of the 1950s and elsewhere, several revived as bylines for vignettes in his magazine Tomorrow Speculative Fiction, is "William Scarff". Budrys also wrote several stories under the names "Ivan Janvier" or "Paul Janvier", and used "Alger Rome" in his collaborations with Jerome Bixby.
Budrys also worked as a publicist; in a famous publicity stunt, he erected a giant pickle on the proposed site of the Chicago Picasso during the time the newly arriving sculpture was embroiled in controversy.[6]
Some Will Not Die (1961) (an expanded and restored version of False Night)
The Iron Thorn (1967) (as serialized in If; revised and published in book form as The Amsirs and the Iron Thorn). On a bleak forbidding planet, humans hunt Amsirs – flightless humanoid birds – and vice versa. After one young hunter makes his first kill, he is initiated into the society's secrets. Still, he figures there are secrets the human race has forgotten altogether, and begins to hunt for answers.
"The End of Summer" (1954) in Astounding Science Fiction; also published in the short story anthology Penguin Science Fiction (edited by Brian Aldiss, 1961).
"The War is Over" (1957) first appeared in Astounding Science Fiction Feb. 1957. Also published in the short story anthology 13 Great Stories of Science Fiction (edited by Groff Conklin, 1960).
"The Barbarians" (1958) (as John Sentry) in If, February 1958.
"The Stoker and the Stars" (1959) (as John A. Sentry) in Astounding Science Fiction, February 1959.
"Wall of Crystal, Eye of Night" in Galaxy, December 1961
"For Love" (originally published in Galaxy Science Fiction, June 1962) — appears in The Seventh Galaxy Reader edited by Frederik Pohl (Doubleday Science Fiction, 1964).
" Die, Shadow!" in If, May 1963.
"Be Merry" (1966) published in If, December 1966, Vol. 16, No. 12, Issue 109.
84.2 Minutes of Algis Budrys (1995), Unifont (Budrys's own company). Released on cassette, this featured Budrys reading his short stories "The Price", "The Distant Sound of Engines", "Never Meet Again", and "Explosions!".
Tomorrow Speculative Fiction (1993–2000); initially edited by Budrys and published by Pulphouse Publishing, with its second issue it was published and edited by Budrys with assistance from Kandis Elliott under the Unifont rubric. It ceased publication as a paper and ink magazine and became a webzine late in the decade. Nine of the 24 print issues contained a story by Budrys, almost always under one of his pseudonyms.
Anthologies
L. Ron Hubbard Presents Writers of the Future, Vol. III (1987)
L. Ron Hubbard Presents Writers of the Future, Vol. 6 (1990)
L. Ron Hubbard Presents Writers of the Future, Vol 12 (1996)
L. Ron Hubbard Presents Writers of the Future Vol. 16 (2000)
L. Ron Hubbard Presents Writers of the Future, Vol 19 (2003)