Infrastructure tools to support an effective radiation oncology learning health system
Welcome to the jazz portal
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries, with its roots in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation.
As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were the prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines.
The mid-1950s saw the emergence of hard bop, which introduced influences from rhythm and blues, gospel, and blues to small groups and particularly to saxophone and piano. Modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation, as did free jazz, which explored playing without regular meter, beat and formal structures. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock music's rhythms, electric instruments, and highly amplified stage sound. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay. Other styles and genres abound in the 21st century, such as Latin and Afro-Cuban jazz. (Full article...)
Selected articles -
-
Speak No Evil is the sixth album by Wayne Shorter. It was released in June 1966 by Blue Note Records. The music combines elements of hard bop and modal jazz, and features Shorter on tenor saxophone, trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter and drummer Elvin Jones. The cover photo is of Shorter's first wife, Teruko (Irene) Nakagami, whom he met in 1961. (Full article...) -
Of Human Feelings is an album by American jazz saxophonist, composer, and bandleader Ornette Coleman. It was recorded on April 25, 1979, at CBS Studios in New York City with his band Prime Time, which featured guitarists Charlie Ellerbee and Bern Nix, bassist Jamaaladeen Tacuma, and drummers Calvin Weston and Coleman's son Denardo. It followed the saxophonist's failed attempt to record a direct-to-disc session earlier in March of the same year and was the first jazz album to be recorded digitally in the United States.
The album's jazz-funk music continued Coleman's harmolodic approach to improvisation with Prime Time, whom he had introduced on his 1975 album Dancing in Your Head. This approach emphasized natural rhythmic and emotional responses in a way that Coleman compared to a spirit of collective consciousness. He also drew on rhythm and blues influences from early in his career for Of Human Feelings, which had shorter and more distinct compositions than Dancing in Your Head, while applying free jazz principles from his music during the 1960s to elements of funk. (Full article...) -
Cool jazz is a style of modern jazz music inspired by bebop and big band that arose in the United States after World War II. It is characterized by relaxed tempos and a lighter tone than that used in the fast and complex bebop style. Cool jazz often employs formal arrangements and incorporates elements of classical music. Broadly, the genre refers to a number of post-war jazz styles employing a more subdued approach than that of contemporaneous jazz idioms. As Paul Tanner, Maurice Gerow, and David Megill suggest, "the tonal sonorities of these conservative players could be compared to pastel colors, while the solos of [Dizzy] Gillespie and his followers could be compared to fiery red colors."
The term cool started being applied to this music around 1953, when Capitol Records released the album Classics in Jazz: Cool and Quiet. Mark C. Gridley, writing in the All Music Guide to Jazz, identifies four overlapping sub-categories of cool jazz: (Full article...) -
Song of Innocence is the debut album by American composer and producer David Axelrod. It was released in October 1968 by Capitol Records. In an effort to capitalize on the experimental climate of popular music at the time, Axelrod composed the album as a suite-like tone poem interpreting Songs of Innocence, a 1789 illustrated collection of poems by William Blake. Recording took place at Capitol Studios in Los Angeles with an orchestra and studio musicians from the Wrecking Crew collective, including keyboardist and conductor Don Randi, guitarist Al Casey, bassist Carol Kaye, and drummer Earl Palmer.
An instrumental jazz fusion record, Song of Innocence incorporates elements of classical, rock, funk, pop, and theatre music. Axelrod arranged the music for bass, drums, and string instruments, composing in a rock idiom with tempos centered on such rhythms played by Palmer. He used contrast in his orchestral compositions, interspersing their euphoric psychedelic R&B structures with dramatic, harrowing arrangements to reflect the supernatural themes found in Blake's poems. The resulting music's reverent, psychedelic overtones have been interpreted as evoking the poet's themes of innocence and spirituality. (Full article...) -
Fats Pichon on an LP cover in the 1950s
By the end of the 1940s, the nervous energy and tension of bebop was replaced with a tendency towards calm and smoothness, with the sounds of cool jazz, which favoured long, linear melodic lines. It emerged in New York City, as a result of the mixture of the styles of predominantly white swing jazz musicians and predominantly black bebop musicians, and it dominated jazz in the first half of the 1950s. The starting point were a series of singles on Capitol Records in 1949 and 1950 of a nonet led by trumpeter Miles Davis, collected and released first on a ten-inch and later a twelve-inch as the Birth of the Cool. Cool jazz recordings by Chet Baker, Dave Brubeck, Bill Evans, Gil Evans, Stan Getz and the Modern Jazz Quartet usually have a "lighter" sound which avoided the aggressive tempos and harmonic abstraction of bebop. Cool jazz later became strongly identified with the West Coast jazz scene, but also had a particular resonance in Europe, especially Scandinavia, with emergence of such major figures as baritone saxophonist Lars Gullin and pianist Bengt Hallberg. The theoretical underpinnings of cool jazz were set out by the blind Chicago pianist Lennie Tristano, and its influence stretches into such later developments as Bossa nova, modal jazz, and even free jazz. See also the list of cool jazz and West Coast musicians for further detail.
Hard bop, an extension of bebop (or "bop") music that incorporates influences from rhythm and blues, gospel music, and blues, especially in the saxophone and piano playing, developed in the mid-1950s, partly in response to the vogue for cool jazz in the early 1950s. The hard bop style coalesced in 1953 and 1954, paralleling the rise of rhythm and blues. Miles Davis' performance of "Walkin'" the title track of his album of the same year, at the first Newport Jazz Festival in 1954, announced the style to the jazz world. The quintet Art Blakey and the Jazz Messengers, fronted by Blakey and featuring pianist Horace Silver and trumpeter Clifford Brown, were leaders in the hard bop movement along with Davis. (See also List of Hard bop musicians) (Full article...) -
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. A person who plays the saxophone is called a saxophonist or saxist.
The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in some styles of rock and roll and popular music. (Full article...) -
Wu Hen is the second studio album by English musician Kamaal Williams, released on 24 July 2020 under his Black Focus label. It is considered to define Williams' own genre "Wu Funk", a blend of jazz, hip-hop, contemporary R&B and EDM. Other styles explored include funk, acid jazz, traditional jazz, breakbeat and house music.
The album was announced simultaneously with the premiere of "One More Time" in May 2020; and was followed by "Hold On" in June and "Mr. Wu" in July. The second of the three tracks features the singer Lauren Faith. Wu Hen received generally favourable reviews from music critics, some praising Williams' drift from the sounds of its predecessor, Black Focus (2016), that informed him in his career with Yussef Kamaal, while others said the album's ideas shifted too urgently. In the United Kingdom, it reached number 2 on the Jazz & Blues Albums Chart and number 15 on the Independent Albums Chart. (Full article...) -
Australian Dance band at the Jack Keating Dance Studio circa 1930 from the Tom Lennon collection, courtesy of the Powerhouse Museum
Jazz music has a long history in Australia. Over the years jazz has held a high-profile at local clubs, festivals and other music venues and a vast number of recordings have been produced by Australian jazz musicians, many of whom have gone on to gain a high profile in the international jazz arena.
Jazz is an American musical genre originated by African Americans but the style was rapidly and enthusiastically taken up by musicians all over the world, including Australia. Jazz and jazz-influenced syncopated dance music was being performed in Australia within a year of the emergence of jazz as a definable musical genre in the United States. (Full article...) -
Scott Joplin achieved fame for his ragtime compositions and was dubbed the "King of Ragtime" by contemporaries. His "Maple Leaf Rag" is one of the most famous rags.
Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers such as Scott Joplin, James Scott, and Joseph Lamb. Ragtime pieces (often called "rags") are typically composed for and performed on piano, though the genre has been adapted for a variety of instruments and styles.
Ragtime music originated within African American communities in the late 19th century and became a distinctly American form of popular music. It is closely related to marches. Ragtime pieces usually contain several distinct themes, often arranged in patterns of repeats and reprises. Scott Joplin, known as the "King of Ragtime", gained fame through compositions like "Maple Leaf Rag" and "The Entertainer". Ragtime influenced early jazz, Harlem stride piano, Piedmont blues, and European classical composers such as Erik Satie, Claude Debussy, and Igor Stravinsky. Despite being overshadowed by jazz in the 1920s, ragtime has experienced several revivals, notably in the 1950s and 1970s (the latter renaissance due in large part to the use of "The Entertainer" in the film The Sting). The music was distributed primarily through sheet music and piano rolls, with some compositions adapted for other instruments and ensembles. (Full article...) -
The Count Basie Orchestra is a 16- to 18-piece big band, one of the most prominent jazz performing groups of the swing era, founded by Count Basie in 1935 and recording regularly from 1936. Despite a brief disbandment at the beginning of the 1950s, the band survived long past the big band era itself and the death of Basie in 1984. It continues under the direction of trumpeter Scotty Barnhart.
Originally including such musicians as Buck Clayton and Lester Young in the line-up, the band in the 1950s and 1960s made use of the work of the arrangers Neal Hefti and Sammy Nestico with featured musicians such as Thad Jones and Eddie "Lockjaw" Davis. (Full article...) -
The West Point Band's Jazz Knights perform in West Point's Eisenhower Hall (2011)
A jazz band (jazz ensemble or jazz combo) is a musical ensemble that plays jazz music. Jazz bands vary in the quantity of its members and the style of jazz that they play but it is common to find a jazz band made up of a rhythm section and a horn section.
The size of a jazz band is closely related to the style of jazz they play as well as the type of venues in which they play. Smaller jazz bands, also known as combos, are common in night clubs and other small venues and will be made up of three to seven musicians; whereas big bands are found in dance halls and other larger venues. (Full article...) -
French jazz violinist Jean-Luc Ponty is a jazz-rock fusion performer
Jazz violin is the use of the violin or electric violin to improvise solo lines. Early jazz violinists included: Eddie South, who played violin with Jimmy Wade's Dixielanders in Chicago; Stuff Smith; and Claude "Fiddler" Williams. Joe Venuti was popular for his work with guitarist Eddie Lang during the 1920s. Improvising violinists include Stéphane Grappelli and Jean-Luc Ponty. In jazz fusion, violinists may use an electric violin plugged into an instrument amplifier with electronic effects. (Full article...) -
Example of piano tone clusters. The clusters in the upper staff—C♯ D♯ F♯ G♯—are four successive black keys. The last two bars, played with overlapping hands, are a denser cluster.
A tone cluster is a musical chord comprising at least three adjacent tones in a scale. Prototypical tone clusters are based on the chromatic scale and are separated by semitones. For instance, three adjacent piano keys (such as C, C♯, and D) struck simultaneously produce a tone cluster. Variants of the tone cluster include chords comprising adjacent tones separated diatonically, pentatonically, or microtonally. On the piano, such clusters often involve the simultaneous striking of neighboring white or black keys.
The early years of the twentieth century saw tone clusters elevated to central roles in pioneering works by ragtime artists Jelly Roll Morton and Scott Joplin. In the 1910s, two classical avant-gardists, composer-pianists Leo Ornstein and Henry Cowell, were recognized as making the first extensive explorations of the tone cluster. During the same period, Charles Ives employed them in several compositions that were not publicly performed until the late 1920s or 1930s, as did Béla Bartók in the latter decade. Since the mid-20th century, they have prominently featured in the work of composers such as Lou Harrison, Giacinto Scelsi, Alfred Schnittke and Karlheinz Stockhausen, and later Eric Whitacre. Tone clusters also play a significant role in the work of free jazz musicians such as Cecil Taylor, Matthew Shipp, and Kevin Kastning. (Full article...) -
The Grammy Award for Best Jazz Vocal Performance, Female was an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to female recording artists for quality jazz vocal performances (songs or albums). Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".
Prior to 1981, the gender-neutral category of Best Jazz Vocal Performance existed. The first award specifically for female performances was presented to Ella Fitzgerald in 1981 for the album A Perfect Match. The category remained unchanged until 1985, when it was combined with the award for Best Jazz Vocal Performance, Male and presented in the genderless category. Gender-specific awards were once again presented from 1986 until 1991. In 1992, the two categories were combined and presented as the category Best Jazz Vocal Performance. This category was later renamed to Best Jazz Vocal Album beginning in 2001. While the gender-specific award has not been presented since the category merge in 1992, an official confirmation of its retirement has not been announced. (Full article...) -
The trombone (German: Posaune, Italian, French: trombone) is a musical instrument in the brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the pitch instead of the valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide.
The word "trombone" derives from Italian tromba (trumpet) and -one (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the flugelhorn, the baritone, and the euphonium. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as non-transposing instruments, reading at concert pitch in bass clef, with higher notes sometimes being notated in tenor clef. They are pitched in B♭, an octave below the B♭ trumpet and an octave above the B♭ bass tuba. The once common E♭ alto trombone became less common as improvements in technique extended the upper range of the tenor, but it is regaining popularity for its lighter sonority. In British brass-band music the tenor trombone is treated as a B♭ transposing instrument, written in treble clef, and the alto trombone is written at concert pitch, usually in alto clef. (Full article...)
Selected image
Jelly Roll Morton (third from left), Ada "Bricktop" Smith (next), Los Angeles, California, at the Cadillac Club, c. 1917 or 1918
Related portals
Selected biographies -
-
James Hubert "Eubie" Blake (February 7, 1887 – February 12, 1983) was an American pianist and composer of ragtime, jazz, and popular music. In 1921, he and his long-time collaborator Noble Sissle wrote Shuffle Along, one of the first Broadway musicals written and directed by African Americans. Blake's compositions included such hits as "Bandana Days", "Charleston Rag", "Love Will Find a Way", "Memories of You" and "I'm Just Wild About Harry". The 1978 Broadway musical Eubie! showcased his works, and in 1981, President Ronald Reagan awarded Blake the Presidential Medal of Freedom. (Full article...) -
Mulgrew Miller (August 13, 1955 – May 29, 2013) was an American jazz pianist, composer, and educator. As a child he played in churches and was influenced on piano by Ramsey Lewis and then Oscar Peterson. Aspects of their styles remained in his playing, but he added the greater harmonic freedom of McCoy Tyner and others in developing as a hard bop player and then in creating his own style, which influenced others from the 1980s on.
After leaving university he was pianist with the Duke Ellington Orchestra for three years, then accompanied vocalist Betty Carter. Three-year stints with trumpeter Woody Shaw and with drummer Art Blakey's high-profile Jazz Messengers followed, by the end of which Miller had formed his own bands and begun recording under his own name. He was then part of drummer Tony Williams' quintet from its foundation, while continuing to play and record with numerous other leaders, mostly in small groups. (Full article...) -
Oscar Emmanuel Peterson CC CQ OOnt (August 15, 1925 – December 23, 2007) was a Canadian jazz pianist and composer. Considered a virtuoso and one of the greatest jazz pianists of all time, Peterson released more than 200 recordings, won eight Grammy Awards, as well as a lifetime achievement award from the Recording Academy, and received numerous other awards and honours. He played thousands of concerts worldwide in a career lasting more than 60 years. He was called the "Maharaja of the keyboard" by Duke Ellington, simply "O.P." by his friends, and informally in the jazz community, "the King of inside swing".
Peterson worked in duos with Sam Jones, Niels-Henning Ørsted Pedersen, Joe Pass, Irving Ashby, Count Basie, and Herbie Hancock. He considered the trio with Ray Brown and Herb Ellis "the most stimulating" and productive setting for public performances and studio recordings. In the early 1950s, he began performing with Brown and drummer Charlie Smith as the Oscar Peterson Trio. Shortly afterward Smith was replaced by guitarist Irving Ashby, who had been a member of the Nat King Cole Trio. Ashby, who was a swing guitarist, was soon replaced by Barney Kessel. Their last recording, On the Town with the Oscar Peterson Trio, recorded live at the Town Tavern in Toronto, captured a remarkable degree of emotional as well as musical understanding among three players. (Full article...) -
Leon Bismark "Bix" Beiderbecke (/ˈbaɪdərbɛk/ BY-dər-bek; March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer.
Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell”. His solos on seminal recordings such as "Singin' the Blues" and "I'm Coming, Virginia" (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. "In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he recorded. His piano style reflects both jazz and classical (mainly impressionist) influences. All five of his piano compositions were published by Robbins Music during his lifetime. (Full article...) -
Benjamin David Goodman (May 30, 1909 – June 13, 1986) was an American clarinetist and bandleader, known as the "King of Swing".
From 1936 until the mid-1940s, Goodman led one of the most popular swing big bands in the United States. His concert at Carnegie Hall in New York City on January 16, 1938, is described by critic Bruce Eder as "the single most important jazz or popular music concert in history: jazz's 'coming out' party to the world of 'respectable' music." (Full article...) -
Carroll Coates (23 September 1929 – 21 October 2023) was a British-American songwriter, composer and lyricist whose works were produced commercially from the 1950s to the 1990s. His songs have been recorded by Frank Sinatra, Carmen McRae, Tony Bennett, Shirley Horn, Mel Tormé, Nancy Wilson and others. His jazz ballad "You'll See" has been recorded by more than a dozen artists. Coates wrote at least nine songs for film, including Sunday in New York. (Full article...)
-
Eva Marie Cassidy (February 2, 1963 – November 2, 1996) was an American singer and musician known for her interpretations of jazz, folk, and blues music, sung with a powerful, emotive soprano voice. In 1992, she released her first album, The Other Side, a set of duets with go-go musician Chuck Brown, followed by the 1996 live solo album titled Live at Blues Alley. Although she had been honored by the Washington Area Music Association, she was virtually unknown outside her native Washington, D.C., at the time of her death from melanoma at the age of 33 in 1996.
Two years after her death, Cassidy's music was brought to the attention of British audiences, when her versions of "Fields of Gold" and "Over the Rainbow" were played by Mike Harding and Terry Wogan on BBC Radio 2. Following the overwhelming response, a camcorder recording of "Over the Rainbow", taken at Blues Alley in Washington by her friend Bryan McCulley, was shown on BBC Two's Top of the Pops 2. Shortly afterwards, the compilation album Songbird climbed to the top of the UK Albums Chart, almost three years after its initial release. The chart success in the United Kingdom and Ireland led to increased recognition of Cassidy worldwide. Her posthumously released recordings, including three number-one albums and one number-one single in the UK, have sold more than ten million copies. Her music has also charted within the top 10 in Australia, Germany, Norway, Sweden and Switzerland. (Full article...) -
Mildred Bailey (born Mildred Rinker; February 27, 1907 – December 12, 1951) was a Native American jazz singer during the 1930s, known as "The Queen of Swing", "The Rockin' Chair Lady", and "Mrs. Swing". She recorded the songs "For Sentimental Reasons", "It's So Peaceful in the Country", "Doin' The Uptown Lowdown", "Trust in Me", "Where Are You?", "I Let a Song Go Out of My Heart", "Small Fry", "Please Be Kind", "Darn That Dream", "Rockin' Chair", "Blame It on My Last Affair", and "Says My Heart". She had three records that reached number one on the popular charts.
She grew up on the Coeur d'Alene Reservation in Idaho, where her mother was an enrolled member. The family moved to Spokane, Washington, when she was 13. Her younger brothers also became musicians. Her brother, Al Rinker, started to perform as a singer with Bing Crosby in Spokane and became a member of The Rhythm Boys. As adults, Charles Rinker was a lyricist, and Miles Rinker was a clarinet and saxophone player who later became a booking agent. (Full article...) -
Kenneth Bruce Gorelick (born June 5, 1956), known professionally as Kenny G, is an American smooth jazz saxophonist, composer, and producer. His 1986 album Duotones brought him commercial success. Kenny G is one of the best-selling artists of all time, with global sales totaling more than 75 million records.
Kenny G was born in Seattle, Washington and started playing the saxophone aged 10, inspired by a performance on The Ed Sullivan Show. He attended several schools in Seattle, including the University of Washington. During high school, he took private saxophone lessons and played in the school jazz band. (Full article...) -
David Roy Eldridge (January 30, 1911 – February 26, 1989), nicknamed "Little Jazz", was an American jazz trumpeter. His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop. (Full article...) -
William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio. His use of impressionist harmony, block chords, innovative chord voicings, and trademark rhythmically independent "singing" melodic lines continue to influence jazz pianists today.
Born in Plainfield, New Jersey, United States, he studied classical music at Southeastern Louisiana College and the Mannes School of Music, in New York City, where he majored in composition and received an artist diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time. (Full article...) -
Paul Samuel Whiteman (March 28, 1890 – December 29, 1967) was an American bandleader, composer, orchestral director, and violinist.
As the leader of one of the most popular dance bands in the United States during the 1920s and early 1930s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the "King of Jazz". His most popular recordings include "Whispering", "Valencia", "Three O'Clock in the Morning", "In a Little Spanish Town", and "Parade of the Wooden Soldiers". Whiteman led a usually large ensemble and explored many styles of music, such as blending symphonic music and jazz, as in his debut of Rhapsody in Blue by George Gershwin. (Full article...) -
Edwin James Costa (August 14, 1930 – July 28, 1962) was an American jazz pianist, vibraphonist, composer and arranger. In 1957, he was chosen as DownBeat jazz critics' new star on piano and vibes – the first time that one artist won two categories in the same year. He became known for his percussive, driving piano style that concentrated on the lower octaves of the keyboard.
Costa had an eight-year recording career, during which he appeared on more than 100 albums; five of these were under his own leadership. As a sideman, he appeared in orchestras led by Manny Albam, Gil Evans, Woody Herman and others; played in smaller groups led by musicians including Tal Farlow, Coleman Hawkins, Gunther Schuller, and Phil Woods; and accompanied vocalists including Tony Bennett and Chris Connor. Costa died, aged 31, in a car accident in New York City. (Full article...) -
Gwyneth Herbert (born 26 August 1981) is a British singer-songwriter, composer, multi-instrumentalist and record producer. Initially known for her interpretation of jazz and swing standards, she is now established as a writer of original compositions, including musical theatre. She has been described as "an exquisite wordsmith" with "a voice that can effortlessly render any emotion with commanding ease" and her songs as being "impressively crafted and engrossing vignette[s] of life's more difficult moments".
Three of her six albums have received four-starred reviews in the British national press. Another album, Between Me and the Wardrobe, received a five-starred review in The Observer. Her seventh album, Letters I Haven't Written, was released in October 2018. (Full article...) -
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album Saxophone Colossus. Recordings under various leaders, including Giant Steps of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade.
After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of his death, he was one of the most widely admired jazz pianists and had influenced both his contemporaries and later generations of players. (Full article...)
Did you know (auto-generated)
- ... that Jazzy's 2023 single "Giving Me" made her the first Irish solo female act to top the Irish Singles Chart since Julie-Anne Dineen in 2009 with "Do You Believe"?
- ... that zoologist Herb Wong wrote the liner notes for more than 600 jazz albums, by his own count?
- ... that Japanese jazz cafés often require customers to be silent?
- ... that House of Waters repurposes the hammered dulcimer, an Appalachian folk music instrument, for international jazz fusion?
- ... that the lyrics to Gen Hoshino's "Crazy Crazy" references members of the jazz group Crazy Cats through kanji?
- ... that Ron Miles, who would have turned 59 today, played in the same high school jazz band as Don Cheadle?
More did you know...
- ... that Dave Brubeck's The Real Ambassadors was largely based on the goodwill tours of Louis Armstrong and other jazz musicians on behalf of the U.S. State Department during the Cold War?
- ... that for the jazz album The Meeting, Joseph Jarman returned to the Art Ensemble of Chicago after leaving in 1993 to open a Buddhist dojo in Brooklyn, New York?
- ... that for Lee Ritenour's first album, First Course, he drafted his friends, including Dave Grusin, Frank Rosolino and Tom Scott, from Dante's and the Baked Potato club in Studio City? (pictured, 2009)
June 2007
Selected recording
The West Point Band performing "The Stakeout"
credit: Sgt. Maj. Scott Arcangel
Jazz by topic
Quality content
Categories
Select [►] to view subcategories
Things you can do
Create an article on a jazz-related subject
Suggest new selected articles and images for the portal here
Add new selected articles here
Add new selected biographies here
Add new selected images here
The Jazz WikiProject
The Jazz WikiProject works to improve the quality of jazz-related articles on Wikipedia. Please join us!
Associated Wikimedia
The following Wikimedia Foundation sister projects provide more on this subject:
-
Commons
Free media repository -
Wikibooks
Free textbooks and manuals -
Wikidata
Free knowledge base -
Wikinews
Free-content news -
Wikiquote
Collection of quotations -
Wikisource
Free-content library -
Wikiversity
Free learning tools -
Wiktionary
Dictionary and thesaurus
Discover Wikipedia using portals
-
-
-
-
-
-
-
-
-
-
-
Random portal -
Purge server cache
