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An ébéniste (pronounced [ebenist]) is a cabinet-maker, particularly one who works in ebony. The term is a loanword from French and translates to "ebonist".

As opposed to ébéniste, the term menuisier denotes a woodcarver or chairmaker in French. The English equivalent for ébéniste, "ebonist", is not commonly used. Originally, an ébéniste was one who worked with ebony, a favoured luxury wood for mid-17th century Parisian cabinets, originating in imitation of elite furniture being made in Antwerp. The word is 17th-century in origin. Early Parisian ébénistes often came from the Low Countries themselves; an outstanding example is Pierre Gole, who worked at the Gobelins manufactory making cabinets and table tops veneered with marquetry, the traditional enrichment of ébénisterie, or "cabinet-work".

Ébénistes make case furniture, either veneered or painted. Under Parisian guild regulations, painted varnishes, generically called vernis Martin, were applied in separate workshops, sawdust being an enemy to freshly varnished surfaces. During the French Revolution the guilds in Paris and elsewhere were abolished (1791), and with them went all their regulations. As one result of this, Parisian chairmakers were able to produce veneered chairs, just as London furniture-makers, less stringently ruled, had been able to make since the production of the first chairs with splats shortly before 1720, in imitation of Chinese chairs.

Because of this amalgamation of trades, makers of chairs and of other seat furniture began to use veneering techniques, formerly the guarded privilege of ébénistes. This privilege became less distinct after the relaxation of guild rules of the Ancien Régime, and after the French Revolution's abolition of guilds in 1791. Seat furniture in the Empire style was often veneered with mahogany, and later in pale woods also.

From the mid-19th century onward, the two French trades, ébéniste and menuisier, often combined under the single roof of a "furnisher", and the craft began to make way for the industry. In Germany in Frommern a line of high polished production take up the ideas of the royal Hofebenist^[1][2]

From the mid-17th century through the 18th century, a notable number of ébénistes of German and Low Countries extraction were pre-eminent among Parisian furniture-makers, as the abbreviated list below suggests.

• Henry Dasson
• François Linke
• Louis Majorelle
• Émile-Jacques Ruhlmann

• Rudolf Gambs, St. Petersburg, Karlsruhe
• Wilhelm Kimbel
• Klinckerfuß Johannes (1770–1831) 1790 Württemberg
• Friedrich Wirth (Entrepreneur) (1806–1883) 1857 Württemberg
• Wilhelm Wirth (Entrepreneur) (1837–1917) Württemberg

• Gabriele Capello (Turin)
• Christopher Fuhrlohg (London)
• Mathäus Funk (Bern)
• Gerrit Jensen (London)
• Georg Haupt (Stockholm)
• Pierre Langlois (London)
• Charles-Honoré Lannuier (New York)
• Abdelkader Saaidi (Casablanca)
• Pietro Piffetti (Turin)
• Abraham Roentgen (Neuwied)
• David Roentgen (Neuwied)
• Decon Brodie (Edinburgh)
• Thomas Elfe (Born in London, established in Charleston)

• List of furniture designers
• List of furniture types
• Woodworking

• Pierre Verlet, 1963. Les Ébénistes Du XVIII Siècle Français
• Pierre Verlet and Penelope Hunter-Stiebel, 1991. French Furniture of the Eighteenth Century
• G. Janneau, 1975. Les ateliers parisiens d'ébénistes et de menuisiers aux XVIIe et XVIIIe siècles
• Alexandre Pradère, 1990. French Furniture Makers: The Art of the Ébéniste from Louis XIV to the Revolution The standard modern text.
• French ébénistes of the 18th century Anticstore